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GUARANTEE
The lens of your camera has been specially computed and manufactured in accordance with the very latest scientific methods to suit this type of camera.

The Agfa Color-Apotar reaches a standard of performance never previously attained in lenses of equal speed having the same number of elements. It provides remarkably good definition, has very high resolving power and gives outstanding reproduction of detail. A combination of these attributes makes this the ideal lens for miniature photography with black and white or colour film, lens leaving our factory is tested by the most and is guaranteed by us for its quality and performance.

AGFA AKTIENGESELLSCHAFT
Camera-Werk Muenchen
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1 Catch for camera back
2 Flash and delayed action
selection lever
3 Shutter release
4 Cable release connection
5 Accessory shoe
6 Viewfinder eyepiece
7 Locking button
8 Rewinding knob
with film type indicator
9 Diaphragm setting mark
10 Exposure value setting key
11 Depth of field scale
12 Focussing ring
13 Flash socket
A L P H A B E T I C A L   L I S T   O F   C O N T E N T S

PagePage
Accessories24-25Flash synchronisation12-13
Delayed action release18Holding the camera14-15
Depth of field16Loading the camera20-21
Depth of field table26-27Photographic hints23
Double and blank
exposure lock
21Rangefinder6-7
Exposure value8-9Rewinding the film22
Film counter3Short guide28
Film tips18-19Shutter speeds and
apertures
10-11
Film transport4Snapshot setting17
Film type indicator2Time exposures12
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A T   L A S T   Y O U   H A V E   R E A L I Z E D   Y O U R   A M B I T I O N
by becoming the owner of a new precision miniature camera, the Agfa Super Silette. You are to be congratulated on your choice and we wish you many happy hours of relaxation with your camera.
Your Agfa Super Silette offers you the following special advantages:
  • a coupled rangefinder,
  • bright-line viewfinder,
  • exposure value shutter,
  • and a high-speed colour-corrected anastigmatic lens of maximum definition.
We know that you are eager to learn more about this fine camera, and so we suggest that you read through this little booklet and familiarize yourself with your Super Silette.
Your photographic dealer may have helped you to "load" the first film in the camera. Films for 35 mm. miniature cameras are wound on a spool enclosed in a light-tight cassette and contain either 36 or 20 exposures, the actual size of the picture being 24 x 36 mm. There is a wide selection of different types of films available, and further details of these are given on pages 18/19. If you have not been shown how to load the camera, instructions are contained on pages 20/21.
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F I L M   T Y P E   I N D I C A T O R
The Super Silette is provided with a film type indicator so that you always know what film is in the camera. It should be set when inserting the film. To do this, push the small button in the direction of the arrow (see illustration) and the rewinding knob will automatically spring upwards. Now pull out this knob as far as it will go and grasp the disk between thumb and forefinger (see illustration). The disk can the be set with the forefinger by its milled edge protruding at the bottom until the desired symbol appears in the window. The disk is rotatable in both directions.
The numbers 20, 40, 100, 250 represent the film speed values in ASA ratings for black and white film which is quoted on every film carton.
If you are using colour negative film, provision is made for the following settings:
CN= Colour negative film,
CN 17= Agfacolor negative film for daylight and artificial light.
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When loading a colour reversal film for transparencies, you should use one of the following settings:
CK
A
= Colour reversal film and artificial
light type (incandescent lamps
with 3400 Kelvin).
CF
F
= Colour reversal film, artificial
flashlight type 3800 Kelvin.
CT
DAY
= Colour reversal film, daylight type
F I L M   C O U N T E R
After loading the camera, the film counter underneath the camera should be set to the starting position.
To do this, turn the milled ring in the direction of the arrow (see illustration) so that the fixed mark is opposite the green triangle. When using a cassette with 36 exposures this is done by setting the scale to the green triangle between 36 and 0, for films with 20 exposures the green triangle between 25 and 20. The camera ist ready for the first exposure after transporting the film to bring this number (i. e. 36 or 20) opposite the fixed setting mark (see illustration). The film counter indicates the number of exposures you still have left on the film.
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F I L M   T R A N S P O R T
When loading the camera the start of the film is wasted by exposure to light and so you must first make two blank exposures.
The rapid transport lever moves the film on one frame each time it is operated. Place your thumb behind this lever and swivel it round as far as possible. If the lever is blocked you will have to press the shutter release first. You should repeat this operation of film transport and shutter release twice at the start of every new film before the camera is ready for use.
If you inadvertently release the rapid transport lever before it reaches its stop, you must swivel it round again until it reaches a stop which may lie half way; do not try to force it through.
Caution! The rewinding knob turns as the film is transported and should therefore not be hindered in any way.
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1Setting mark for shutter speed and aperture combination
2Exposure value setting key
3Depth of field scale
4Feet ring
5Focussing mark
6Focussing setting ring
7Milled ring to set shutter speed and aperture combination
8Focussing setting ring
9Exposure value scale
10Aperture scale
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T H E   R A N G E F I N D E R
Focusing is very simple with the aid of the built-in, coupled rangefinder. Through the viewflnder eyepiece at the back of the camera you will see that the entire field of view is coloured slightly and has a diamond-shaped portion in the centre. At first this centre image will be separated into two horizontally displaced outlines (see illustration , top right). If you now move the focusing ring with the index or middle finger of your left hand you will find that the outlines of the double centre image converge (lower illustration). When this point is reached, the object is automatically in focus. You can rely implicitly on the accuracy of the rangefinder which takes the guess work out of focusing.
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With the camera held horizontally the Image outlines move sideways, when held upright they move vertically.
A useful tip:
Place your finger over the right view-finder window at the front of the camera. You will find that the viewfinder image is no longer coloured and is more suitable for lining up your subject. When you want to focus the camera with the rangefinder you can remove your finger; by this method the double outlines are more clearly visible.
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W H A T   Y O U   N E E D   T O   K N O W . . .
The preparatory work is over, the camera has been focused with the rangefinder and now you require the correct exposure. Lighting conditions are subject to considerable variations, which is why your camera is fitted with different shutter speeds and apertures of varying size. With both these means you can adjust the camera to suit the particular light and subject. For moving objects it is best to use a fast shutter speed and a large aperture, for landscapes a small aperture and a slower shutter speed. Only a limited amount of light should be allowed to reach the film—according to its speed—and so it is up to you to see that the right amount is obtained for each photograph.
In your Super Silette shutter speed and stop have been combined into one concept, the so-called exposure value, so that you have to set one number only. This exposure value number can be determined by means of a photo-electric exposure meter (e. g. Agfa Lucimeter S); however, with some experience it can also be judged.
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. . .   A N D   H O W   T O   D O   I T
The exposure value is set by depressing the black exposure value key (see illustration) towards the centre of the lens and at the same time rotating the stop ring until the exposure value number determined or guessed (red scale) faces the setting mark (see upper illustration). The key is then released whereby a firm connection is established between diaphragm stop and shutter speed ring.

From now on the exposure value setting should not be altered and only the milled shutter speed ring may be turned (see lower illustration).

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Now turn the shutter speed ring and set the exposure time opposite the triangular mark. With exposure value 12 the following combinations are then possible:
Stopf2.845.68111622
Shutter speed 1/500 1/250 1/125 1/60 1/30 1/15 1/8
Each of these shutter speed and stop combinations allows an equal amount of light to reach the film and so you only need to select the one best suited to your subject by turning the large milled ring to the triangular mark (no.1, see illustration, page 5). To be sure of choosing the correct combination it is advisable to read the chapter on page 11 carefully.

The thus determined exposure value setting can be used as long as the lighting conditions remain the same.

Let us once more summarise the most important points of this chapter: Determine and set the exposure value, release exposure value key, turn the milled ring to set the pictorially most favourable combination opposite the triangular mark; then the camera will be ready for action.

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WHICH IS THE BEST SHUTTER SPEED AND APERTURE COMBINATION?

If you wish to photograph a landscape with both foreground and background in focus, you must use a small aperture (for example, f. 8 and 1/60 sec. as shown on the previous page). Longer exposure times such as 1/30, 1 /15 and 1/5 sec. cannot normally be used without a tripod, because of camera shake.

For a quickly moving object on the other hand you should use a fast shutter speed to avoid blurring (such as 1/500 sec. and f. 2.8, shown on the previous page).
In the first case a slower shutter speed is chosen in favour of a small aperture and in the second case a larger aperture is selected to enable the use of a faster shutter speed.
You may sometimes obtain exposure value readings on the exposure meter which lie between two numbers. These can also be set on the camera with the diaphragm ring, but shutter speeds should never be set so that the triangular mark lies between two speeds. You can easily avoid this, however, because each setting on the large milled ring has a click stop.

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F O R   V E R Y   P O O R   L I G H T I N G
Sometimes there is not enough light to give an exposure meter reading on any of the instantaneous shutter speeds. Then you use the "B" shutter setting for time exposures.

In such cases place the camera on a firm support, preferably on a tripod, attach a cable release (if possible with time lock) to the connection provided and make the exposure. The shutter stays open as long as pressure is exerted on the cable release button.

In many cases, particularly with indoor photography, a flashgun will be needed to supplement the available light and for this your Super Silette is provided with a flash contact. You merely slide the flashgun (such as the Agfa KM or Agfalux flashgun) on to the accessory shoe of the camera and attach the flash lead to the contact (see illustration). When looking onto your Super Silette from above you will see a small lever on the right which according to the flash method used should be set to X or M.
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Note therefore:
With the X-synchronisation—position of lever to X (or with delayed action to V) speeds no faster than 1/50 must be used. With the synchronizing lever set to M faster shutter speeds can be used.

The apertures required are given in instructions attached to each flash bulb carton.

When using an electronic flashgun the lever must always be set to X. Contrary to flashbulbs any shutter speed can be used. Apertures are calculated from the guide numbers for the flashgun concerned, e. g. guide number 96 divided by a distance of 12 feet = aperture f. 8. The electronic flashgun can be used for black and white or daylight colour films.

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H O L D I N G   T H E   C A M E R A

Hold the camera steady to obtain sharp results. We advise you to take your Super Silette in both hands and form an angle with your arms against your body. Your thumbs should lie along the back of the camera with the forefinger of your right hand on the shutter release. Line up your subject in the viewfinder. Everything within the luminous frame area will appear on the picture. If you can see only part of the frame, this indicates that you are tilting the camera or not looking through the centre of the viewfinder. As soon as you are satisfied with what you see, press the shutter release; this is done by slowly pressing down the release lever as far as possible with your finger tip.,For subjects nearer than 7 feet use the two short lines

(see illustration, page 7 as the upper limit of the subject, and tilt the camera slightly upwards.
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Give it a trial with your very first photograph: Don't forget to hold the camera level and as close to your eye as possible. It does not matter which eye you use for viewing the subject, the main thing is to close your other eye. Then take a deep breath, hold it, and press the shutter release.

When holding the camera upright turn it to the right or left as desired and operate the shutter release either with your middle finger or thumb, depending on the camera's position.

Photographs without a tripod should only be taken with shutter speeds of 1/60 to 1/500 sec., possibly 1/30 sec. too. If you have a steady hand you may be able to avoid camera shake at 1/15 sec. by supporting your elbows somehow, but you must try that out for yourself.

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D E P T H   O F   F I E L D

We already mentioned large and small lens apertures (on page 8) in the choice of suitable shutter speed and aperture combinations.

Large aperture e.g. f2.8 = big opening but small depth of field Small aperture e.g. f22 = little opening but great depth of field
As you will see from this example, depth of field is variable; it increases as the aperture becomes smaller and the distance becomes greater. To help you in finding out how far this zone of sharp focusing extends, your Super Silette has what is known as a depth of field scale (®, illustration page 5). From it you can find the approximate depth of field for any given lens aperture. If, for example, you focus the camera to a distance of 15 feet with an aperture of f. 8, you look for the two numbers marked 8 on the depth of field scale and read off the range in feet between these two points on the adjacent focusing ring; in this case it will be about 10 to 30 ft.
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S N A P S H O T   S E T T I N G

If the shutter speed initially selected gives an exposure reading in which the aperture can be set on the red dot between f. 8 and 11 or on f. 11 you can use the so-called snapshot or zone focusing setting.

For this purpose the 10 feet and 30 feet markings are engraved in red on the focusing scale. When focused on 10 feet you obtain a sharp zone from 7 to 17 feet (see illustration); on 30 feet the depth of field is about 17 feet to Infinity.

This method is used for close-range and long distance photographs where you want to avoid focusing the camera at all.

Exact particulars of the depth of field obtainable at various apertures and distances can be seen from the table on pages 26/27.

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D E L A Y E D   A C T I O N   R E L E A S E

Sometimes you want to be in the picture yourself. Your Super Silette provides for this wish with its delayed action release. First place the camera on a tripod or other firm support and then set the lever (No.2 see main illustration) at "V" after the film has been wound on. As soon as you press the shutter release the small lever starts to move and operates the shutter automatically after about 7 seconds. The lever always returns to its original position and has to be re-set for every delayed action shot. Any of the instantaneous shutter speeds can be used with it, and those for flash. Time exposures (= B setting) cannot be made with the delayed action release mechanism.


T H E   R I G H T   F I L M   F O R   E V E R Y   O C C A S I O N
Before we explain how to load your Super Silette with film, here are a few hints on different kinds of film.
First of all there is Agfa Isopan F, 40 ASA (17° DIN), a universal film of medium speed. It is a sharp, fine-grain film from which you can obtain good enlargements. In bad weather Agfa Isopan ISS, 200 ASA (21° DIN), is the right film. It allows you to use instantaneous shutter speeds or, when the sun is shining, smaller apertures to obtain greater depth of field.

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