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| GUARANTEE
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The lens of your camera has been specially computed and manufactured in accordance
with the very latest scientific methods to suit this type of camera.
The Agfa Color-Apotar reaches a standard of performance never previously attained in
lenses of equal speed having the same number of elements. It provides remarkably
good definition, has very high resolving power and gives outstanding reproduction of
detail. A combination of these attributes makes this the ideal lens for miniature
photography with black and white or colour film, lens leaving our factory is tested by
the most and is guaranteed by us for its quality and performance.
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AGFA AKTIENGESELLSCHAFT
Camera-Werk Muenchen
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| 1 | Catch for camera back
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| 2 | Flash and delayed action selection lever
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| 3 | Shutter release
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| 4 | Cable release connection
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| 5 | Accessory shoe
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| 6 | Viewfinder eyepiece
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| 7 | Locking button
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| 8 | Rewinding knob with film type indicator
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| 9 | Diaphragm setting mark
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| 10 | Exposure value setting key
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| 11 | Depth of field scale
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| 12 | Focussing ring
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| 13 | Flash socket
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A L P H A B E T I C A L   L I S T   O F   C O N T E N T S
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| Page | | Page
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| Accessories | 24-25 | Flash synchronisation | 12-13
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| Delayed action release | 18 | Holding the camera | 14-15
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| Depth of field | 16 | Loading the camera | 20-21
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| Depth of field table | 26-27 | Photographic hints | 23
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Double and blank exposure lock | 21 | Rangefinder | 6-7
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| Exposure value | 8-9 | Rewinding the film | 22
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| Film counter | 3 | Short guide | 28
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| Film tips | 18-19 | Shutter speeds and apertures | 10-11
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| Film transport | 4 | Snapshot setting | 17
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| Film type indicator | 2 | Time exposures | 12
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A T   L A S T   Y O U   H A V E   R E A L I Z E D   Y O U R   A M B I T I O N
by becoming the owner of a new precision miniature camera, the Agfa Super Silette. You
are to be congratulated on your choice and we wish you many happy hours of relaxation
with your camera.
Your Agfa Super Silette offers you the following special advantages:
- a coupled rangefinder,
- bright-line viewfinder,
- exposure value shutter,
- and a high-speed colour-corrected anastigmatic lens of maximum definition.
We know that you are eager to learn more about this fine camera, and so we suggest that
you read through this little booklet and familiarize yourself with your Super Silette.
Your photographic dealer may have helped you to "load" the first film in the camera.
Films for 35 mm. miniature cameras are wound on a spool enclosed in a light-tight
cassette and contain either 36 or 20 exposures, the actual size of the picture being
24 x 36 mm. There is a wide selection of different types of films available, and further
details of these are given on pages 18/19. If you have not been shown how to load the
camera, instructions are contained on pages 20/21.
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F I L M   T Y P E   I N D I C A T O R
The Super Silette is provided with a film type indicator so that you always know
what film is in the camera. It should be set when inserting the film. To do this,
push the small button in the direction of the arrow (see illustration) and the
rewinding knob will automatically spring upwards. Now pull out this knob as far
as it will go and grasp the disk between thumb and forefinger (see illustration).
The disk can the be set with the forefinger by its milled edge protruding at the
bottom until the desired symbol appears in the window. The disk is rotatable in
both directions.
The numbers 20, 40, 100, 250 represent the film speed values in ASA ratings for
black and white film which is quoted on every film carton.
If you are using colour negative film, provision is made for the following settings:
| CN | = | Colour negative film,
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| CN 17 | = | Agfacolor negative film for daylight and artificial light.
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When loading a colour reversal film for transparencies, you
should use one of the following settings:
CK A | = | Colour reversal film and artificial
light type (incandescent lamps with 3400 Kelvin).
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CF F | = | Colour reversal film, artificial flashlight type 3800 Kelvin.
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CT DAY | = | Colour reversal film, daylight type
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F I L M   C O U N T E R
After loading the camera, the film counter underneath the camera should be set
to the starting position.
To do this, turn the milled ring in the direction of the arrow (see illustration)
so that the fixed mark is opposite the green triangle. When using a cassette
with 36 exposures this is done by setting the scale to the green triangle between
36 and 0, for films with 20 exposures the green triangle between 25 and 20. The
camera ist ready for the first exposure after transporting the film to bring this
number (i. e. 36 or 20) opposite the fixed setting mark (see illustration). The
film counter indicates the number of exposures you still have left on the film.
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F I L M   T R A N S P O R T
When loading the camera the start of the film is wasted by exposure to light and so you
must first make two blank exposures.
The rapid transport lever moves the film on one frame each time it is operated. Place
your thumb behind this lever and swivel it round as far as possible. If the lever is
blocked you will have to press the shutter release first. You should repeat this
operation of film transport and shutter release twice at the start of every new film
before the camera is ready for use.
If you inadvertently release the rapid transport lever before it reaches its stop,
you must swivel it round again until it reaches a stop which may lie half way; do not
try to force it through.
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Caution! The rewinding knob turns as the film is transported and should therefore not be
hindered in any way.
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| 1 | Setting mark for shutter speed and aperture combination
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| 2 | Exposure value setting key
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| 3 | Depth of field scale
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| 4 | Feet ring
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| 5 | Focussing mark
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| 6 | Focussing setting ring
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| 7 | Milled ring to set shutter speed and aperture combination
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| 8 | Focussing setting ring
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| 9 | Exposure value scale
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| 10 | Aperture scale
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| T H E   R A N G E F I N D E R
Focusing is very simple with the aid of the built-in, coupled rangefinder. Through the
viewflnder eyepiece at the back of the camera you will see that the entire field of
view is coloured slightly and has a diamond-shaped portion in the centre. At first this
centre image will be separated into two horizontally displaced outlines (see illustration
, top right). If you now move the focusing ring with the index or middle finger of your
left hand you will find that the outlines of the double centre image converge (lower
illustration). When this point is reached, the object is automatically in focus. You can
rely implicitly on the accuracy of the rangefinder which takes the guess work out of
focusing.
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With the camera held horizontally the Image outlines move sideways, when held upright
they move vertically.
A useful tip:
Place your finger over the right view-finder window at the front of the camera. You will
find that the viewfinder image is no longer coloured and is more suitable for lining up
your subject. When you want to focus the camera with the rangefinder you can remove your
finger; by this method the double outlines are more clearly visible.
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W H A T   Y O U   N E E D   T O   K N O W . . .
The preparatory work is over, the camera has been focused with the rangefinder and now
you require the correct exposure. Lighting conditions are subject to considerable
variations, which is why your camera is fitted with different shutter speeds and
apertures of varying size. With both these means you can adjust the camera to suit the
particular light and subject. For moving objects it is best to use a fast shutter speed
and a large aperture, for landscapes a small aperture and a slower shutter speed. Only a
limited amount of light should be allowed to reach the film—according to its speed—and so
it is up to you to see that the right amount is obtained for each photograph.
In your Super Silette shutter speed and stop have been combined into one concept, the
so-called exposure value, so that you have to set one number only. This exposure value
number can be determined by means of a photo-electric exposure meter (e. g. Agfa
Lucimeter S); however, with some experience it can also be judged.
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. . .   A N D   H O W   T O   D O   I T
The exposure value is set by depressing the black exposure value key (see illustration)
towards the centre of the lens and at the same time rotating the stop ring until the
exposure value number determined or guessed (red scale) faces the setting mark (see
upper illustration). The key is then released whereby a firm connection is established
between diaphragm stop and shutter speed ring.
From now on the exposure value setting should not be altered and only the milled
shutter speed ring may be turned (see lower illustration).
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Now turn the shutter speed ring and set the exposure time opposite the triangular mark.
With exposure value 12 the following combinations are then possible:
| Stop | f | 2.8 | 4 | 5.6 | 8 | 11 | 16 | 22
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| Shutter speed
| 1/500
| 1/250
| 1/125
| 1/60
| 1/30
| 1/15
| 1/8
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Each of these shutter speed and stop combinations allows an equal amount of light to
reach the film and so you only need to select the one best suited to your subject by
turning the large milled ring to the triangular mark (no.1, see illustration, page 5).
To be sure of choosing the correct combination it is advisable to read the chapter on
page 11 carefully.
The thus determined exposure value setting can be used as long as the lighting conditions
remain the same.
Let us once more summarise the most important points of this chapter: Determine and set
the exposure value, release exposure value key, turn the milled ring to set the
pictorially most favourable combination opposite the triangular mark; then the camera
will be ready for action.
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WHICH IS THE BEST SHUTTER SPEED AND APERTURE COMBINATION?
If you wish to photograph a landscape with both foreground and background in focus, you
must use a small aperture (for example, f. 8 and 1/60 sec. as shown
on the previous page). Longer exposure times such as 1/30, 1
/15 and 1/5 sec. cannot normally be used without a
tripod, because of camera shake.
For a quickly moving object on the other hand you should use a fast shutter speed to
avoid blurring (such as 1/500 sec. and f. 2.8, shown on the previous page).
In the first case a slower shutter speed is chosen in favour of a small aperture and in
the second case a larger aperture is selected to enable the use of a faster shutter speed.
You may sometimes obtain exposure value readings on the exposure meter which lie between two
numbers. These can also be set on the camera with the diaphragm ring, but shutter speeds
should never be set so that the triangular mark lies between two speeds. You can easily
avoid this, however, because each setting on the large milled ring has a click stop.
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F O R   V E R Y   P O O R   L I G H T I N G
Sometimes there is not enough light to give an exposure meter reading on any of the
instantaneous shutter speeds. Then you use the "B" shutter setting for time exposures.
In such cases place the camera on a firm support, preferably on a tripod, attach a cable
release (if possible with time lock) to the connection provided and make the exposure.
The shutter stays open as long as pressure is exerted on the cable release button.
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In many cases, particularly with indoor photography, a flashgun will be needed to
supplement the available light and for this your Super Silette is provided with a flash
contact. You merely slide the flashgun (such as the Agfa KM or Agfalux flashgun) on to
the accessory shoe of the camera and attach the flash lead to the contact (see
illustration).
When looking onto your Super Silette from above you will see a small lever on the right
which according to the flash method used should be set to X or M.
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Note therefore:
With the X-synchronisation—position of lever to X (or with delayed action to V) speeds
no faster than 1/50 must be used. With the synchronizing lever set to M faster shutter
speeds can be used.
The apertures required are given in instructions attached to each flash bulb carton.
When using an electronic flashgun the lever must always be set to X. Contrary to
flashbulbs any shutter speed can be used. Apertures are calculated from the guide
numbers for the flashgun concerned, e. g. guide number 96 divided by a distance of 12
feet = aperture f. 8. The electronic flashgun can be used for black and white or daylight
colour films.
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H O L D I N G   T H E   C A M E R A
Hold the camera steady to obtain sharp results. We advise you to take your Super
Silette in both hands and form an angle with your arms against your body. Your thumbs
should lie along the back of the camera with the forefinger of your right hand on the
shutter release. Line up your subject in the viewfinder. Everything within the luminous
frame area will appear on the picture. If you can see only part of the frame, this
indicates that you are tilting the camera or not looking through the centre of the
viewfinder. As soon as you are satisfied with what you see, press the shutter release;
this is done by slowly pressing down the release lever as far as possible with your
finger tip.,For subjects nearer than 7 feet use the two short lines
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as the upper limit of the subject, and tilt the camera slightly upwards.
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Give it a trial with your very first photograph: Don't forget to hold the camera level
and as close to your eye as possible. It does not matter which eye you use for viewing
the subject, the main thing is to close your other eye. Then take a deep breath, hold it,
and press the shutter release.
When holding the camera upright turn it to the right or
left as desired and operate the shutter release either with your middle finger or thumb,
depending on the camera's position.
Photographs without a tripod should only be taken with shutter speeds of 1/60
to 1/500 sec., possibly 1/30 sec. too. If you
have a steady hand you may be able to avoid camera shake at 1/15
sec. by supporting your elbows somehow, but you must try that out for yourself.
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D E P T H   O F   F I E L D
We already mentioned large and small lens apertures (on
page 8) in the choice of suitable shutter speed and aperture combinations.
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| Large aperture e.g. f2.8 =
| big opening but small depth of field
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| Small aperture e.g. f22 =
| little opening but great depth of field
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S N A P S H O T   S E T T I N G
If the shutter speed initially selected gives an exposure reading in which the aperture
can be set on the red dot between f. 8 and 11 or on f. 11 you can use the so-called
snapshot or zone focusing setting.
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For this purpose the 10 feet and 30 feet markings are engraved in red on the focusing
scale. When focused on 10 feet you obtain a sharp zone from 7 to 17 feet (see
illustration); on 30 feet the depth of field is about 17 feet to Infinity.
This method is used for close-range and long distance photographs where you want to avoid
focusing the camera at all.
Exact particulars of the depth of field obtainable at various apertures and distances
can be seen from the table on pages 26/27.
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D E L A Y E D   A C T I O N   R E L E A S E
Sometimes you want to be in the picture yourself. Your Super Silette provides for this
wish with its delayed action release. First place the camera on a tripod or other firm
support and then set the lever (No.2 see main
illustration) at "V" after the film has been
wound on. As soon as you press the shutter release the small lever starts to move and
operates the shutter automatically after about 7 seconds. The lever always returns to
its original position and has to be re-set for every delayed action shot. Any of the
instantaneous shutter speeds can be used with it, and those for flash. Time exposures
(= B setting) cannot be made with the delayed action release mechanism.
T H E   R I G H T   F I L M   F O R   E V E R Y   O C C A S I O N
Before we explain how to load your Super Silette with film, here are a few hints on
different kinds of film.
First of all there is Agfa Isopan F, 40 ASA (17° DIN), a universal film of medium
speed. It is a sharp, fine-grain film from which you can obtain good enlargements. In bad
weather Agfa Isopan ISS, 200 ASA (21° DIN), is the right film. It allows you to
use instantaneous shutter speeds or, when the sun is shining, smaller apertures to obtain
greater depth of field.
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